The dynamic nature of relationships makes them an area of interest for scholars to study. One particular aspect, the contradictions between opposing ideas and their effects, has led to the development of the theoretical construct termed relational dialectics. Although relational dialectics is primarily utilized to study real-life scenarios, it is also applicable to fictional events, such as those in the popular musical Ragtime. Drawing primarily from the research of William K. Rawlins (1981, 1992, 2008), we examine the tensions in four relationships within the musical, arguing that the success of the characters relationships is dependent on the mutual negotiation of inherent oppositions. Through the respective successes and failures of the fictional relationships in the musical, applicable lessons for real-life relationships are communicated to audience members.
Key words: Relational Dialectics, Rhetorical Criticism, Ragtime, Musical Theatre
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