In the post-global ambiance of the twenty-first century, where the rapid disconnect from nature constantly assaults humanity, it is crucial to rethink ecological issues to emphasise the inseparable bond between nature and culture. As a result, thinkers of various disciplines have tried to offer possible solutions for correcting the contemporary environmental condition. Literary scholars have played a crucial role by foregrounding the relationship between literature and the environment, which paved the way to establish the theoretical movement known as “Ecocriticism.” Simon Estok argues that “ecocriticism has distinguished itself, debates notwithstanding, firstly by the ethical stand it takes, its commitment to the natural world as an important thing rather than simply as an object of thematic study, and, secondly, by its commitment to making connections” (Estok 2001, p. 220). This paper investigates how Judith Wright’s poetry reflects her dynamic and radical ecological thought. Through her verse, the poet demonstrates the inextricable bond between humans and the natural world while also recognising the serious threat posed to the biosphere by the current anthropocentric worldview. Wright, who shows ecological issues through her powerful articulation long before the phrase was popularised, alters the canon of Australian poetry by expressing her innermost concern for the welfare of both Australian society and the earth at large in new and meaningful ways.
Key words: Post-dualism, Ecocriticism, Nature, Culture, Biocentrism.
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